Advocacy and Outreach Opportunities at the Archives*Records 2019 Annual Meeting

This week is the start of the SAA Annual Meeting. Here is a list of some recommendations for awareness and advocacy sessions and activities.

First things first — stop by the Committee on Public Awareness (COPA) table! We’ll have a table in the conference registration area.

  • Saturday afternoon, 3:15 – 4:30 PM the Kitchen Sisters will be at the table playing clips from their podcast!
  • The Archives in Context podcast team will be at the table Sunday from 8:00-10:30 AM and 3:00-5:00 PM to record your elevator speech!
  • Elevator speech postcards – get them while they last!
  • Crafting Your Elevator Speech puzzle – a repeat of last year’s puzzle, be part of the team that puts it together!

Storytelling Workshop with Micaela Blei

Learn how to tell your story—and tell it well! In this introductory COPA-sponsored workshop, you’ll work with two-time Moth GrandSLAM winner (and former Moth director of education) Micaela Blei, PhD, to find stories that you want to tell, learn strategies for delivering riveting stories, and feel great doing it.

“Sing Out, Louise! Sing Out!” The Archivist and Effective Communication

This session includes panelists providing strategies for effective communication, examples of communication fails, and includes Q&A so attendees can share experiences too.

Are you ArchivesAWARE? Teaming up with SAA’s Committee on Public Awareness to Create a Stronger Archives Community

COPA members share successful initiatives and then engage with audience to brainstorm outreach strategies, solutions to outreach obstacles, and how we can better engage with communities that may have barriers to accessing archives.

Community Connections: Unleashing the Potential of Programs and Services Aimed at Underserved Stakeholder Communities

Archivists who oversee labor and social justice collections share their collaborations, programs, and services that have reached beyond the usual academic or institutional stakeholders and discuss the impact of reaching out to underserved communities.

Get With, or at Least On, the Program: Crafting Session Proposals for Archives-Related Sessions at Non-archives Conferences

Panelists from this session share the history and accomplishments of the Society of Southwest Archivists’ new committee, the State Partnerships and Outreach Committee.

What’s Your Elevator Speech?

The Archives in Context podcast team and the Committee on Public Awareness (COPA) are joining together to record your elevator speeches at this year’s annual meeting in Austin, Texas.

COPA will have a table in the registration area with a Crafting Your Elevator Speech puzzle. Stop by to work on the puzzle and to record your elevator speech with the Archives in Context team for inclusion in a forthcoming episode. The podcast team will be at the COPA table on Sunday, August 4 from 8:00-10:30 AM and 3:00-5:00 PM.

We want these recordings to sound like real conversations, so we’re also looking for your help creating some conversation scenarios.

Three ways to participate:

  1. Contact the Archives in Context team at Chris.Burns@uvm.edu ahead of time to set up an interview or to pitch a scenario (doesn’t have to occur in an elevator).
  2. Stop by the COPA table in the registration area on August 4 between 8:00-10:30 AM or 3:00-5:00 PM.
  3. Can’t make it Austin but want to participate, record your own elevator speech and send it to the email address above.

A Finding Aid To My Soul

This year’s show will be hosted by two-time Moth GrandSLAM winner (and former Moth director of education) Micaela Blei. Featured storytellers: Arielle Petrovich, Katie Moss, Travis Williams, Katie Dishman, Joyce LeeAnn Joseph, Cliff Hight, Kira Lyle, Tanya Zanish-Belcher, Leah Harrison, and Joanna Black.

Blowing Off the Dust: How to Move Your Archives from the Basement to the Public Square

This interactive session is about how to partner with your public radio and includes best practices for pitching to public radio, how cultural institutions and public radio complement each other, and information about a current collaboration between an archive and public radio.

Archival Value: Tales of Professional Advocacy

This session features professionals from a variety of archival settings who share how they advocated for themselves, their staff and students, and their colleagues to get administrative support for the resources they  needed.

Know of other outreach- and advocacy-related sessions, events, and general happenings taking place next week that didn’t make our schedule? Tell us in the comments below, or let us know which of these and other annual meeting events you are most looking forward to!

 

Carpe Media Redux

In this post, authors Vince Lee and Rachel Seale, members of SAA’s Committee on Public Awareness (COPA) follow up with some attendees from last year’s COPA-sponsored “Carpe Media! Communications and Media Training for Archivists” workshop at ARCHIVES*RECORDS 2018 in Washington, D.C. 

Sometimes, to truly evaluate the impact a workshop has had on it attendees, it’s often helpful to revisit it after some time has passed and we are quite as close to the event. This separation  offers an opportunity to gauge the perspectives from others. Basically, we wanted to see how our attendees may have applied what they have learned back to their workplaces, and what next steps that they took. We also wanted to see if there were challenges as well, what didn’t work from the workshop, and if there were things that the workshop fell short with in regards to meeting expectations. 

Then

Below is the feedback we collected shortly after the workshop commenced. For a fuller recap of the Carpe Media workshop visit: http://bit.ly/recapcarpemedia2018.

  • Be concise and consistent.
  • Be repetitive, don’t assume people are going to see your one Tweet amidst the 500 million other Tweets that day.
  • Your brand is a promise to deliver something to your customers and also how you are perceived.
  • Resist the temptation to be clever.
  • Stick to the message, don’t be cute or snarky or that’s what the journalist may cut out of context and use in their piece.
  • Choose the platform/s that is most used by your customers and users. Don’t know which platform? Survey!
  • Always be connected (ABC)-think about who you are connecting to and with and what message your audience wants/expects to receive.

A summary of what attendees shared they wanted from the workshop:

  • Tools to raise awareness of what they do and the collections they have to the general public
  • Make communications more interesting and impactful to targeted audience
  • Communicate more strategically
  • Awareness and advocacy targeted to grass roots audience on why archivists and their organizations need additional resources/facilities to house and process their collections
  • Donor communications and bridging perceptions on archivists and our roles
  • Awareness and community outreach to potential donors
  • Get “buy-in” from organizational leadership for additional resources
  • Communicating history and heritage to internal stakeholders
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Group photo of attendees. Photo courtesy of Teresa Brinati.

Now, A Year Later

Below are responses to a survey we sent out to attendees as a follow-up to see what impact, changes, or challenges that the workshop provided to their work.

Cathrine Giles, Manager, State Records Branch, Archives and Records Management Division, Kentucky Department for Libraries and Archives

Mr. Steinhauer’s workshop was very helpful. It was a great space that allowed attendees to be open and engaging about our communication concerns and questions. He delivered some hard truths about social media and encouraged us to refocus on how we think about and use different communication platforms.

I had great takeaways and notes from the workshop. I’ve worked on applying some to my agency’s social media strategy, such as more distinction between Twitter and Facebook posts. If SAA was to have this workshop again or something similar, I would certainly recommend it.

Andrea Jackson Gavin, Grant Writer, AUC Woodruff Library

I was fascinated by the Carpe Media workshop and the History Communications concept. I was unfamiliar with History Comm, but I follow Jason on social media, and read a bit more about how this developing field can help historians and archivists do their work effectively – especially public historians and archivists.  I have transitioned to a grant writing role, but I think the workshop helped me to consider how my writing to grant funding agencies can be improved with less jargon and more appealing language that will speak to a broader public about the importance of history. Additionally, in the past year I’ve had the opportunity to speak with potential donors and used some of the techniques we practiced during the workshop to help make a case for why archival collections and accompanying monetary donations can be helpful to advance society, research and scholarship.

Vince Lee, Archivist, University of Houston Libraries-Special Collections 

The Carpe Media workshop has made me realize that the work of Archivists and Archives is “invisible labor” and “investment” by the public and donors alike. People know we are there and what we offer but take for granted what we do and don’t realize what it takes to process a collection and make it accessible. I think as Archivists we need to better articulate the value/cost of our work better. How I have tried to apply this to my work after attending the workshop is by trying to let donors know that we not only need their material support, but also their monetary support in trying to either acquire or process collections. In working with our Head of Special Collections and Director of Advancement, we have created an informational brochure providing the value of archival supplies-acid free folders, photo sleeves, archival boxes, etc and the hourly rate we pay a Graduate Assistant to process an incoming collection. By providing these metrics to interested donors, we are also giving them the tools to share and advocate on our behalf of the investment and costs that are involved when we process a collection.

Julie Schweitzer, Archivist, United States Memorial Holocaust Museum

The Carpe Media workshop has not impacted my work as much as I had hoped, mostly because our social media team remains a strong but separate department. However, as I have been following our social media presence after this workshop, I have been pleased to see that our social media team largely follows the recommendations made during the workshop.

Ashley Selima, State Archivist and Public Administrator, Rhode Island Department of State

One of the biggest shifts for me after the Carpe Media workshop was definitely taking a more proactive approach with our Communications Department and sharing content, ideas, or trends that I thought would assist in highlighting the Archives. I’m fortunate that we have a Communications Department but Jason’s workshop provided tools for working with them and being a better partner to spread the word about our holdings, our work, and our goals

Other respondents who wished to remain anonymous

COPA’s planning/facilitation of the workshop is very much appreciated, and I am thankful to have been awarded a spot and the opportunity to attend. I cannot say that the workshop has explicitly benefited me over the past year—perhaps I have not actively sought enough advocacy/communications opportunities. A key reminder that was helpful: refrain from using jargon and/or prepare to explain it to a general audience.

I did participate in the survey directly after SAA (in early September) and I think at that time I noted the workshop was somewhat different than I expected. It was more general and basic than I anticipated and did not seem tailored to the audience: e.g. the archival community is very active on Twitter for scholarly communication and public communication (often led by national institutions). The intro to specific media formats did not seem to take this into account. The role-playing was more helpful and I appreciated hearing my colleagues make pitches and work to tailor them.


The workshop was definitely helpful in terms of giving me a set of steps to think about in formulating the best approach to different types of external – and even internal – interactions with different stakeholders. I felt the workshop was much more beneficial in terms of planning internal conversations than necessarily external/media communication – and I don’t think that’s a bad thing, but I remember it not being something that I had expected. Though at this point, it could just be that was the part of the workshop that most stuck with me.


In general, I liked the workshop, though I had been expecting more of a focus on speaking to the media and on camera than advocating for staffing to administrators.  Speaking to the media has been an aspect of my position that I’ve struggled with and, though the workshop was interesting and helpful, I would have liked to have more guidance on that.


I have used what I learned to communicate more efficiently with colleagues and to get support from my administration. I evaluate what evidence I have that would influence administrators to give us the resources we need.

I am more strategic, overall, in the emails I send and the information I put out on the social media platforms we use at work. I do practice ABC (Always Be Connected) when I craft messages for internal or external users and customers. 

Another thing I have taken away from the workshop is to practice communicating high stakes or high pressure conversations. I remember being nervous at the end when we were role playing and Jason played the part of administrator. Practicing stressed me out then and stresses me out now, honestly, and the stress doesn’t really go away. until I can have that stressful conversation or send that email. However, when I rehearse for that difficult conversation, I am more prepared and perform better. 


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Workshop facilitator Jason Steinhauer role-playing with an attendee. Photo courtesy of Vince Lee.

Final thoughts

Based on feedback a year later, it seems that the workshop has improved attendees’ communication strategies. At least two respondents used what they learned to educate donors on resources required to make collections accessible and available to the researchers. Also, the sentiment we’ve received is that  a workshop on communicating with traditional media would still be helpful, though it should be specific and not as general or broad. Finally, it seems that most respondents have come away from the workshop with a newfound awareness of the critical components involved in a successful communications strategy whether it is working internally with their own communications department, or taking a more proactive role when working with different audiences.

Responses & Retrospectives: Rachael Woody on Myspace and the Precarity of User Content on Social Media Platforms

RachaelWoody

Rachael Woody

This is the latest post in our series Responses and Retrospectives, which features archivists’ personal responses and perspectives concerning current or historical events/subjects with significant implications for the archives profession. Interested in contributing to Responses and Retrospectives?  Please email the editor at archivesaware@archivists.org with your ideas!

 On March 18, 2019 the world learned that Myspace lost millions of songs, photographs, and videos posted prior to 2016. Myspace reports that the loss of data occurred due to a server migration project gone wrong. Such a loss of digital content received mixed reactions as some were horrified and others relieved that their Myspace content was lost. Once a major social media platform from 2003-2008, Myspace has since declined in usership with the rise of Facebook as the predominant social platform. Now, in 2019, Myspace is mostly used for musicians to share work and connect with fans.

It Can Happen to You

What happened to Myspace isn’t an isolated event. It can and will happen again. Social media platforms are not oriented to prioritize the preservation of user generated content. These platforms have the capacity to store user data, but don’t necessarily have backup measures in place for their digital content – as was the case for Myspace. Or, if you are of the more cynical persuasion, some technology experts believe that Myspace may have intentionally deleted millions of digital files so as to not have to maintain them.

When these social media platforms emerged and for almost a decade into most of the platform’s lives, there was no way to download your content. If you wanted to leave Myspace you had to delete your account and there was no way to download any of the content you uploaded during your time using the platform. How do I know this? Because, like many of you, I began on Myspace only to leave it a five years later for Facebook.

Myspace Love Letters

I joined Myspace the summer of 2005 and left the spring of 2010. Myspace had photos, posts, and messages that I didn’t have anywhere else thanks to a computer hard-drive crash and the nonexistence (in my world) of smart phones with cloud syncing. Sure, I could have selected and right-clicked on every photo to download, and copy+paste each post, but that would’ve been a tremendous amount of labor. However, there was one cache of data I could not leave behind: the love letters my husband and I wrote to each other when we first began dating. I consulted with several of my digital archivist peers to figure out if I had any options available to me to save those love letters. The consensus? Print them out.

MyspaceLoveLetters

We Need an Exit Strategy

As archivists, when we consider things such as a collections management system (CMS) we are now experienced enough to know that any platform considered must have an exit strategy for the collection data. Things change, software companies fold or merge, collection needs change, technology changes, and budgets change. Any one of these reasons is enough to instigate data migration to another CMS platform.

Most social media platforms are beginning to offer exit strategies. The top platforms now offer options to retrieve your content, though, I admit, from an archivist’s perspective the options aren’t great.

How to Get a Copy of Your Content

First of all, if you use a smartphone then chances are good that the digital content captured on the phone is syncing to a cloud. That’s good because it means that you still have access and control over all of your original content and its original file quality. The top three social media platforms each offer a way to retrieve a copy of your data. Facebook allows the most customization as you can select a time period, type of content, and a low/medium/high quality setting for the files. Facebook will then provide you an HTML or JSON file for you to download. Twitter offers to send you a file of your content but there is no way to customize what you receive, nor is there mention of what type of file you receive. Instagram lacks customization as well and will provide you a JSON file.

Archivists and the Appraisal of Social Media Content

When we use social media platforms we tend to share without a thought given toward how we might sustainably access the digital content later. As archivists, appraisal as we know it tends to only happen when a length of time has passed. Time and perspective help archivists decide on whether the material in question is of sufficient historical value to be accessioned. As social media users and digital content generators, we may need to save all digital items for a future appraisal to take place. But how can we guarantee access to our digital content? Why is there no easy way to do this?

Preserving Digital Content Isn’t Easy

As digital archivists are well aware, the management and long-term access to digital files is amorphous and hard to predict. Why is preserving long-term access to digital files hard to manage or predict? Here’s a few reasons:

  • Changing file formats and software used to create and access files
  • Poor past practices
  • No intuitive file naming conventions
  • Data corruption
  • Physical medium damage to disks, USBs, CDs, etc.
  • Inability to digitally migrate the content to an accessible format

Preserving (Digital) Objects with Restricted Resources (POWRR) is a great resource for those who want to learn more on how to protect their digital content.

How to Safeguard Your Content

Being proactive is the best strategy to help safeguard your digital content on social media platforms. Here are a few recommendations to consider:

  • Make sure you have a digital file backup system in place and that it’s working. I’ve encountered many people who thought they had a backup system in place only to find out it wasn’t working like they thought it would.
  • If you have the option to automatically sync your content to a cloud then do so.
  • Invest in cloud storage with trustworthy companies that practice at least some digital preservation principles (such as Dropbox or Google Drive).
  • If you’re an institution that generates a lot of web content then consider services such as Archive It for additional support.
  • Request a copy of your “archive” from the social media platforms you use.
  • When in doubt, (if it’s important to you) print it out. Paper is still King when it comes to formats we know will be around for a while.

This post was written by Rachael Cristine Woody, a member of The Society of American Archivists’ Committee on Public Awareness (COPA). The opinions and assertions stated within this piece are the author’s alone, and do not represent the official stance of the Society of American Archivists. COPA publishes response posts with the sole aim of providing additional perspectives, context, and information on current events and subjects that directly impact archives and archivists.

Keeping ArchivesAWARE: News and Highlights

This is the latest entry in our series Keeping ArchivesAWARE: News and Highlights, a recurring roundup of some of the latest archives-related news stories, features, commentaries, announcements, and projects that have caught our eye, with links to the original sources. This post written by COPA member Nick Pavlik.

Jody Rosen writes in a recent New York Times Magazine feature about the disastrous 2008 fire at a Universal Studios Hollywood warehouse that served as the vault for the most historically significant master recordings of the Universal Music Group, in which approximately 175,000 master recordings were destroyed.

A Europol press release details how three men were arrested in France last month for stealing rare maps from archival collections from different libraries throughout Europe.

NPR reports that while digitizing a collection at Mexico’s National Sound Library, archivists came across a recording containing a voice they believe may be that of celebrated Mexican artist Frida Kahlo.

New Hampshire State Archivist Brian Burford was recently featured in an article in the Concord Monitor, in which he warned of the risk posed to the state’s digital records in the absence of a statewide digital preservation program.

The New York Times recently featured an article on the donation of Nachman Blumental’s personal papers to the YIVO Institute for Jewish Research.  Blumental, a philologist and one of the earliest historians of the Holocaust, documented how the Nazis’ “used the German language to obscure the mechanics of mass murder and make genocide more palatable to themselves.”

In The Conversation, Axel Bruns writes about the National Library of Australia’s newly launched Australian Web Archive, and the immense web archiving challenges the Library will continue to face going forward.

The University of Pittsburgh Library System recently acquired the archive of legendary horror filmmaker George A. Romero, which will serve as the foundation for a larger horror studies archive that the university intends to establish within its Archives & Special Collections.

The Monuments Men Foundation recently donated the diary of S. Lane Faison to the National Archives.  Faison, a member of the “Monuments Men” unit during World War II, supervised the return of millions of historical artifacts stolen by the Nazis to their countries of origin.

Controversy recently arose at Doane University in Nebraska after the director of the university’s Perkins Library was placed on administrative leave after including a photograph showing students wearing blackface in a “Parties from the Past” exhibit outside the library.

The CBC recently reported on the launch of a new website from the City of Edmonton Archives that provides access to thousands of digitized historical photographs from the Archives’ collection.

At the end of May, the New York Times reported that the Schomburg Center for Research in Black Culture had acquired the personal collection of Fred “Fab 5 Freddy” Brathwaite, the original host of “Yo! MTV Raps,” which first aired in 1988.

Have some interesting archival news items or highlights you’d like us to share?  Email us at archivesaware@archivists.org and we may include it in our next Keeping ArchivesAWARE roundup!