This is the latest post in our series Responses and Retrospectives, which features archivists’ personal responses and perspectives concerning current or historical events/subjects with significant implications for the archives profession. Interested in contributing to Responses and Retrospectives? Please email the editor at email@example.com with your ideas!
Samantha Winn is an archives worker based in southern Appalachia with an interest in comparative archival practices, information ethics, and facilitating dialogue across different communities. An SAA member since 2012, she currently serves as the appointed Vice-Chair/Chair-Elect for SAA’s Committee on Public Policy. Former service includes chair of SAA’S SNAP section (2015-2016) and co-chair of the Design Records Section (2016-2018). She is passionate about community organizing and mutual aid as a means of effecting social change.
On 15 January 2020, the Society of American Archivists announced an unprecedented change to the 2020 SAA Election ballot. 52 SAA members submitted a petition, in accordance with SAA bylaws, to add SAA Fellow Kris Kiesling to the Vice President/President-Elect ballot. Many current and former SAA members have covered the precipitating events at length, including VP candidate Courtney Chartier, Ruth Kitchin Tillman, and SAA Fellow Terry Baxter. The Archives for Black Lives in Philadelphia blog drafted an especially comprehensive summary of the events leading up to and surrounding this petition. In late January, COPA leadership invited me to write about a fundraising effort I launched in solidarity with the 2019/2020 SAA Nominating Committee and the original election slate.
On 16 January, I announced a peer-to-peer fundraiser called #52Fund to support the participation of QTBIPOC, BIPOC, LGBTQ+, disabled, and multi-marginalized archives workers in professional engagement. Initially, I challenged 52 people to help me cover membership fees, conference registration and travel costs, LIS program tuition, medical expenses, and other financial barriers to professional participation for groups historically marginalized from SAA leadership. My goal of 52 donors and the hashtag #52Fund referenced the 52 signers of the election petition. I wanted this campaign to demonstrate that at least 52 people were committed to Lae’l Hughes-Watkins’ call to nominate and elect leaders who “have a strong portfolio of success in making room for historically underrepresented identities in leadership positions, who advocate for success of these communities and are willing to call out and address discriminatory practices within the profession and in spaces supposedly designed to nurture and support emerging leaders and change agents.” I also liked the idea of countering the petition with a community fundraiser, to reflect the plurality of tactics available for effecting institutional change.
Following the recommendations of Courtney Chartier and Harrison Inefuku, I originally imagined this as a targeted effort to raise funds for the Brenda S. Banks Travel Award in memory of SAA’s first Black president, Brenda Banks. Established in 2017 by the Archivists and Archives of Color Section, the Banks Travel Award funds registration, membership, and travel expenses for one archivist of color each year. This proved to be a logistical challenge, however, as the SAA Foundation administers the Banks award from a broader funding pool. The SAA Foundation was unable to direct allocations to Banks award recipients or facilitate the sponsoring of a second award for SAA 2020.
Since this fundraiser was driven by a desire to explicitly benefit members historically marginalized from SAA leadership, it did not feel appropriate to direct funds towards a general SAA Foundation pool. Instead, I offered potential donors two options for giving which I hoped would reflect the spirit of the Banks Travel Award. First, prospective donors could give directly to SAA Foundation’s Mosaic Scholarship Fund, Harold T. Pinkett Student of Color Award, and/or the Brenda S. Banks Travel Award and report their giving as part of the fundraiser. Donors could also contribute directly to a mutual aid fund, which I would distribute upon request to individual QTBIPOC and other multi-marginalized archives workers.
My initial goal of 52 unique donations was met in about 36 hours. We passed our first stretch goal of $5,200 in the first 4 days. We reached the second stretch goal of $10,400 in about 2 weeks of fundraising. As of 11 February, we have collectively raised nearly $14,000. Of this amount, we have distributed about $11,100 in direct mutual aid to approximately 25 colleagues. Roughly $2,600 has gone to SAA funds which benefit archivists of color; this only includes amounts that people reported in a Google form, so the total for SAA Foundation contributions may be higher. My hope is to find 8 new funders by 1 March to help us reach the final stretch goal of 208 unique donors (representing four sets of 52). Many funders gave in response to electoral frustrations and perceptions of gatekeeping by long-tenured and well-established SAA members. However, donations have also come from Kiesling petition signers and individuals with no prior knowledge of the fund’s origins or SAA election controversies.
Mutual aid may be a new concept for some SAA members, but it is well-established among organizers and activists in LGBTQ, BIPOC, disabled, and rural communities. This campaign reflects the legacy of many different social justice movements with which I have been affiliated. Where we have succeeded, I am deeply indebted to the wisdom and leadership of Erricka Bailey (who can be hired for strategic planning, trainings, and consultations at https://www.liberationsolutions.com/), Hannah Morris of Pineywoods Voice, Itza Carbajal, and Dr. Brandy S. Faulkner. Among many other things, Bailey and Morris taught me how to run a successful direct aid campaign and redistribute financial resources to historically marginalized groups. Carbajal taught me how to harness discontent for positive change and have a great time doing so. Dr. Faulkner taught me to identify, understand, and harness political power. I have also been profoundly influenced by the work of Montgomery County’s Dialogue on Race group and its affiliated giving circles.
For more information about #52Fund, please visit http://tiny.cc/52Fund.
This post was written by Samantha Winn, an archives worker in southern Appalachia and the founder of the #52Fund. The opinions and assertions stated within this piece are the author’s alone, and do not represent the official stance of the Society of American Archivists. COPA publishes response posts with the sole aim of providing additional perspectives, context, and information on current events and subjects that directly impact archives and archivists.